[Pre-Chorus]
I don’t like no whips and chains and you can’t tie me down
But you can whip your lovin’ on me, baby
Whip your lovin’ on me, baby
[Chorus]
I’m vanilla, baby (I don’t like no whips and chains and you can’t tie me down)
I’ll choke you, but I ain’t no killer, baby
She twenty-eight, tellin’ me I’m still a baby (But you can whip your lovin’ on me, baby)
I get love in Detroit like Skilla Baby (Whip your lovin’ on me, baby)
And the thing about your boy is
I don’t like no whips and chains and you can’t tie me down
But you can whip your lovin’ on me, baby
That’s right, that’s right
Whip your lovin’ on me, baby
[Verse 1]
Young J-A-C-K, AKA
Rico like Suave, Young Enrique
Speakin’ of AKA, she’s an alpha
But not around your boy, she get quiet ’round your boy, hold on (Shh)
Don’t know what you heard or what you thought about your boy
But they lied about your boy, goin’ dumb and it’s somethin’ idiotic ’bout your boy
She wearin’ cheetah print, that’s how bad she wanna bе spotted ’round your boy
[Pre-Chorus]
I don’t like no whips and chains and you can’t tie mе down
But you can whip your lovin’ on me, baby
Whip your lovin’ on me
[Chorus]
I’m vanilla, baby (I don’t like no whips and chains and you can’t tie me down)
I’ll choke you, but I ain’t no killer, baby
She twenty-eight, tellin’ me I’m still a baby (But you can whip your lovin’ on me, baby)
I get love in Detroit like Skilla Baby (Whip your lovin’ on me, baby)
And the thing about your boy is
I don’t like no whips and chains and you can’t tie me down
But you can whip your lovin’ on me, baby
Whip your lovin’ on me, baby
[Verse 2]
Young M-I-S-S-I-O-N-A-R-Y
You sharp like barbed wire
She stole my heart, then she got archived
I keep it short with a bitch, Lord Farquaad
All the girls in the front row (Ayy)
All the girls at the barricade (Ayy)
All the girls that been waitin’ all day, let your tongue hang out, fuck everything (Ayy)
If you came with a man (Yeah, yeah)
Let go of his hand (Let go of that shit)
Everybody in the suite, kickin’ up they feet, stand up, bitch, dance (I see you)
[Pre-Chorus]
I don’t like no whips and chains and you can’t tie me down
And all the guys in the back waitin’ on the next track
But you can whip your lovin’ on me, baby
Cut your boy a lil’ slack
Whip your lovin’ on me
It’s young Jack
[Chorus]
I’m vanilla, baby (I don’t like no whips and chains and you can’t tie me down)
I’ll choke you, but I ain’t no killer, baby
She twenty-eight, tellin’ me I’m still a baby (But you can whip your lovin’ on me, baby)
I get love in Detroit like Skilla Baby (Whip your lovin’ on me, baby)
And the thing about your boy is
I don’t like no whips and chains and you can’t tie me down
But you can whip your lovin’ on me, baby
That’s right, that’s right
Whip your lovin’ on me, baby
I don’t like no whips and chains and you can’t tie me down
But you can whip your lovin’ on me, baby
Whip your lovin’ on me, baby
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Meaning of “Lovin on Me” by Jack Harlow
“Lovin on Me” by Jack Harlow explores themes of self-confidence, independence, and a carefree attitude towards relationships. The lyrics celebrate the artist’s individuality and resistance to traditional relationship norms. The mention of personal freedom, preferences, and self-assuredness runs throughout the song.
Pre-Chorus:
“I don’t like no whips and chains and you can’t tie me down”
The pre-chorus establishes the artist’s resistance to being confined or restricted in a relationship. The rejection of traditional symbols like whips and chains suggests a desire for freedom and a non-conventional approach to love.
“But you can whip your lovin’ on me, baby / Whip your lovin’ on me, baby”
While rejecting certain aspects of traditional relationships, the artist expresses a willingness to receive love in a more playful and less restrictive manner.
Chorus:
“I’m vanilla, baby”
The term “vanilla” is often used to describe something conventional or ordinary. In this context, it suggests the artist’s preference for simplicity and authenticity in relationships.
“I’ll choke you, but I ain’t no killer, baby”
The line introduces a juxtaposition between a potentially intense romantic encounter (“choke you”) and a reassurance that it’s all in good fun, emphasizing a lighthearted approach.
“She twenty-eight, tellin’ me I’m still a baby”
This line plays with the idea of age, highlighting the artist’s youthfulness and perhaps a partner’s perspective on his maturity.
“I get love in Detroit like Skilla Baby”
A reference to receiving love or support in Detroit, with “Skilla Baby” potentially being a local figure or reference.
Verse 1:
“Young J-A-C-K, AKA Rico like Suave, Young Enrique”
The artist introduces himself with playful references to other charming and suave personalities, creating a charismatic persona.
“Speaking of AKA, she’s an alpha / But not around your boy, she get quiet ’round your boy, hold on (Shh)”
A nod to an individual identified as an Alpha (potentially a reference to a sorority member), highlighting that this person becomes reserved or shy around the artist.
“Don’t know what you heard or what you thought about your boy / But they lied about your boy, goin’ dumb and it’s somethin’ idiotic ’bout your boy”
The artist dismisses any misconceptions or false information about him, asserting his authenticity and uniqueness.
Verse 2:
“Young M-I-S-S-I-O-N-A-R-Y / You sharp like barbed wire”
The artist continues to play with words, spelling out “missionary” and complimenting someone’s sharpness.
“She stole my heart, then she got archived”
This line suggests a romantic involvement that has come to an end or been archived, potentially hinting at past relationships.
“I keep it short with a bitch, Lord Farquaad”
A playful reference to the character Lord Farquaad from “Shrek,” implying that the artist keeps things concise or straightforward.
Bridge:
The bridge features energetic and encouraging phrases, encouraging the audience to let loose and enjoy the moment.
Final Chorus:
The final chorus reinforces the earlier themes of independence, playfulness, and a rejection of traditional relationship expectations. The artist maintains a confident and carefree attitude toward love.
Overall Singing Style
Jack Harlow delivers the lyrics with a confident and charismatic tone, blending playful wordplay with a carefree attitude. The artist’s style combines elements of rap and pop, creating a catchy and upbeat track. The use of humor, references, and a varied vocal delivery adds to the overall engaging and dynamic nature of the song.
“Lovin on Me” by Jack Harlow celebrates individuality, rejects traditional relationship norms, and showcases the artist’s playful and confident approach to love and life. The lyrics are characterized by wordplay, references, and a carefree attitude that aligns with the energetic and upbeat nature of the song.
Note : This meaning and Interpretation of the lyrics was written in assistance with AI . If you feel you can add more to it then give us your feedback